James Dillon (born 29 October 1950) is a Scottish composer who is often regarded as belonging to the New Complexity school. Dillon studied art and design, linguistics, piano, acoustics, Indian rhythm, mathematics and computer music, but is self-taught in composition.
Dillon was born in Glasgow, Scotland. Honours include first prize in the Huddersfield Contemporary Music Festival in 1978, the Kranichsteiner music prize at Darmstadt in 1982, and five Royal Philharmonic Society composition awards, most recently for his chamber piece Tanz/Haus: triptych 2017. Dillon taught at Darmstadt from 1982 to 1992, and has been a guest lecturer and composer at various institutions around the world. He taught at the University of Minnesota School of Music in Minneapolis, Minnesota, from 2007 to 2014.
Selected works
His major works include choral and vocal music, including the cycle L'évolution du vol (1993) and the opera Philomela (2004), the orchestral works helle Nacht (1987), ignis noster (1992), Via Sacra (2000), and La navette (2001), as well as a violin concerto for Thomas Zehetmair (2000) and the piano concerto Andromeda (2006) for his partner, Noriko Kawai, all showing an ease of writing for large forces. From 1982–2000, Dillon worked on the Nine Rivers cycle, a 3-hour work for voices, strings, percussion, live electronics and computer-generated tape. The epic work was first performed in full in Glasgow, November 2010. Andrew Clements of The Guardian awarded it a full five stars, describing the last movement ("Oceanos") as having a "Wagnerian grandeur" and stating, "The cumulative power of [Nine Rivers] is massive, the range of musical experience vast."
His considerable body of chamber music, often written expressly for a performer's individual abilities, includes solos for clarinet, drumkit, cello, flute, piccolo, guitar, violin, viola, and accordion, alongside eight string quartets (1983, 1991, 1998, 2004, 2008, 2010, 2013, 2017), the five-part Book of Elements for piano (1997–2002) and the soadie waste for piano and string quartet (2002/3). In 2013, Tom Service referred to the Book of Elements as "the most significant contribution to the pianist's repertoire since György Ligeti's Études". His fourth string quartet received the 2005 Royal Philharmonic Society Music Award for Chamber-Scale Composition. He won the same award in 1997 (for Traumwerk, Book 1), 2002 (for The Book of Elements 5), and 2017 (for Tanz/Haus: triptych 2017).
His music has been published by Edition Peters since 1982.
List of compositions
Source:
Orchestral
Windows and Canopies, small orchestra (20 players), 1985
Überschreiten, small orchestra (16 players), 1986
Helle Nacht, large orchestra (90 players), 1986–87
Introitus – Nine Rivers 8, 11/12 strings, fixed media, live electronics, 1989–90
ignis noster, large orchestra (100 players), 1991–92
Blitzschlag, flute, large orchestra (66 players), 1988–96
Via Sacra, large orchestra (80 players), 1999
Concerto, violin, large orchestra (79 players), 2000
La Navette, large orchestra, 2000–01
Physis I & II, large orchestra, 2004–05
Andromeda, piano, large orchestra (80 players), 2005–06
torii, small orchestra (17 players), 2009–10
White Numbers, large orchestra (77 players), 2011
The Gates, string quartet, large orchestra, 2016
Circe (Pharmakeia : 3), small orchestra (16 players), 2017
Polyptych: Mnemosyne... Acts of Memory and Mourning, large ensemble (30 players), 2022-23
Chamber music
Crossing Over, clarinet, 1978
Ti.re-Ti.ke-Dha, drum kit, 1979
...Once upon a Time, alto flute (+ piccolo), oboe (+ English horn), clarinet, bassoon, French horn, trumpet, trombone, double bass, 1980
Parjanya-Vata, cello, 1981
East 11th St. NY 10003 – Nine Rivers 1, 6 percussion, 1982
String Quartet No. 1, 1983
Zone (...de azul), clarinet, French horn, trumpet, trombone, violin, viola, cello, piano, 1983
Le Rivage, flute (+ piccolo, alto flute), oboe, clarinet (+ bass clarinet), French horn, bassoon, 1984
The Freiburg Diptych, solo violin, tape and live electronics, 2019
Choral
Viriditas – Nine Rivers 3, 16 mixed voices, 1993–94
Oceanos – Nine Rivers 9, 16 mixed voices, orchestra, live electronics, 1985–96
Hyades, 12 mixed voices, 1998
residue..., 24 mixed voices, 1998–99
Vapor (text by Titus Lucretius Carus), 4 mixed voices, string quartet, 1999
Stabat Mater Dolorosa, 12 mixed voices, 12 players, live electronics, 2014
Vocal
Who do you love, female voice, flute (+ piccolo, bass flute), clarinet, violin (+ viola), cello, percussion, 1980–81
Evening Rain, any voice, 1981
Come live with me (text from the Song of Solomon), female voice, flute (+ piccolo, alto flute), oboe (+ oboe d'amore, English horn), piano, percussion, 1981–82
A Roaring Flame (texts by Alexander Carmichael, Clara d'Anduza), female voice, double bass, 1981–82
Time Lag Zero (text from the Song of Solomon), female voice, viola, 1982
L'Évolution du vol, female voice (+ hurdy-gurdy), E-flat clarinet (+ bass clarinet, contrabass clarinet), double bass, piano (+ harmonium), 2 percussion, 1991–93 (sections 2–7 of its eight sections may be performed separately: L'Homme et la vérité, female voice, piano; L'Ascension; L'Être-ange, female voice [+ hurdy-gurdy], E-flat clarinet; Nuée; Descente/désir, female voice, bass clarinet, double bass; Le Vent, l'arbre et le temps)
Toop, Richard. 2001. "Dillon, James". The New Grove Dictionary of Music and Musicians, 2nd edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
External links
Entry at The Living Composers Project
"James Dillon (composer) (biography, works, resources)" (in French and English). IRCAM.
Art of the States: the soadie waste world premiere performance of Dillon work